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Promoting Smetana's Bartered Bride (Prodaná nevěsta) in Paris

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023272%3A_____%2F21%3A10135474" target="_blank" >RIV/00023272:_____/21:10135474 - isvavai.cz</a>

  • Result on the web

    <a href="https://publikace.nm.cz/en/periodicals/musicalia-journal-of-the-czech-museum-of-music-casopis-ceskeho-muzea-hudby" target="_blank" >https://publikace.nm.cz/en/periodicals/musicalia-journal-of-the-czech-museum-of-music-casopis-ceskeho-muzea-hudby</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.37520/muscz.2021.003" target="_blank" >10.37520/muscz.2021.003</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Promoting Smetana's Bartered Bride (Prodaná nevěsta) in Paris

  • Original language description

    The Bartered Bride had to take a thorny path to reach the stage in Paris. Sixty years passed between the first attempts while Smetana was still living and the premiere at the Opéra-Comique. There were many people from the spheres of culture and politics involved in promoting the performing of The Bartered Bride in Paris, the most important centre of opera in those days. Foremost among them was Princess Pauline von Metternich, the French baritone Victor Maurel who held the first fragmentary performance of the opera in 1897 in his salon with soloists from the Opéra-Comique, the director of the National Theatre František A. Šubert, the French conductor Charles Lamoureux, the physician and translator Raoul Blondel, the violinist Jan Kubelík, the theatre director Gabriel Astruc, and the wife of the Czechoslovak ambassador in Paris Pavla Osuská. However, the Paris premiere of The Bartered Bride in 1928 did not earn the opera a more permanent place at that city&apos;s theatres.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>ost</sub> - Miscellaneous article in a specialist periodical

  • CEP classification

  • OECD FORD branch

    60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2021

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Musicalia

  • ISSN

    1803-7828

  • e-ISSN

  • Volume of the periodical

    13

  • Issue of the periodical within the volume

    1-2

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    19

  • Pages from-to

    79-97

  • UT code for WoS article

  • EID of the result in the Scopus database