Music, Synaesthesia and Czech Abstract Art. František Kupka ? Arnošt Hošek ? Miroslav Ponc ? Zdeněk Pešánek

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023281%3A_____%2F12%3A%230000592" target="_blank" >RIV/00023281:_____/12:#0000592 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Music, Synaesthesia and Czech Abstract Art. František Kupka ? Arnošt Hošek ? Miroslav Ponc ? Zdeněk Pešánek
Original language description
In Czech abstract art of the 1920s and 30s several solitary figures appeared, in whose work and theoretical discourses it is possible to find sophisticated connections of artistic structure with musical principles, an endeavour to systematise the relationships of tones and colours, attempts at visualisation of music or examination of synesthetic perception. Although the connections of their endeavours with analogous international tendencies are clear from today's perspective, in inter-war Czechoslovakiathey were rather of a character of marginal and singular experiments, altogether subjected to sharp criticism from the authorities of the Czech avant-garde. This paper presents differing, distinctive approaches to the connection of music and visual artin the work of the architect, painter and member of the Paris group Les artistes musicalistes Arnošt Hošek (1885-1941), the artistically gifted musical composer Miroslav Ponc (1902-1976) and the sculptor and pioneer of kinetic art Zdeněk
Czech name
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Czech description
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Publication year
2012
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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