Tempera techniques used by Czech landscape painters at the end of the 19th century

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023281%3A_____%2F19%3AN0000031" target="_blank" >RIV/00023281:_____/19:N0000031 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Tempera techniques used by Czech landscape painters at the end of the 19th century
Original language description
The research focused on relatively unknown Syntonos tempera technique used by the students of Julius Mařák’s plein air landscape painting studio at the Academy of Fine Arts in Prague. Number of works by the most important painters from the above-mentioned school were selected in order to assess the differences in paint composition, number of paint layers and system of layering. The results confirm that painters from Julius Mařák’s studio used mainly the egg tempera technique of a combination of tempera and oil technique. In the case of two paintings the components corresponded with the composition of Syntonos tempera paints.
Czech name
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Czech description
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Project
<a href="/en/project/VI20172020050" target="_blank" >VI20172020050: Comprehensive Instrumental Methods for the Assessment of an Artwork's Authenticity, a Material Database of the 20th century</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Publication year
2019
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Book/collection name
Tempera painting 1800-1950. Experiment and Innovation from the Nazarene Movement to Abstract Art
ISBN
978-1-909492-59-2
Number of pages of the result
4
Pages from-to
174-177
Number of pages of the book
213
Publisher name
Archetype Publications Ltd
Place of publication
London
UT code for WoS chapter
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