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Scenographic engineer Josef Svoboda and Laterna Magika as a creative laboratory under state socialism

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00057266%3A_____%2F21%3AN0000011" target="_blank" >RIV/00057266:_____/21:N0000011 - isvavai.cz</a>

  • Alternative codes found

    RIV/00216208:11210/20:10422687

  • Result on the web

    <a href="https://www.tandfonline.com/doi/abs/10.1080/23322551.2020.1848211?journalCode=rdes20" target="_blank" >https://www.tandfonline.com/doi/abs/10.1080/23322551.2020.1848211?journalCode=rdes20</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1080/23322551.2020.1848211" target="_blank" >10.1080/23322551.2020.1848211</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Scenographic engineer Josef Svoboda and Laterna Magika as a creative laboratory under state socialism

  • Original language description

    Josef Svoboda's career was strongly linked to the exploration of new media and technological innovation. Svoboda realized his creative visions not only in domestic and foreign dramas and operas and artistic exhibitions, but also in the framework of a project on which he collaborated since the end of the 1950s - the multimedia theatre Laterna Magika. In this text, we analyze the stage design of Josef Svoboda for Laterna Magika from several perspectives. At the most general level, we are interested in his strategy of building Laterna Magika as an open creative environment and laboratory inside a restrictive socialist culture. Scenographically, we are interested in the role of film and television in his stage design and his experimentation and innovation in lighting design and stage kinetics, leading to virtuality and immersion as well as the reformulation of the concept of the screen on the stage. For Svoboda, Laterna Magika was an experimental space in which he planned to create a theatre with a fully variable stage that broke the line between actors and spectators and created a psycho-plastic space for the viewer.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database

  • CEP classification

  • OECD FORD branch

    60405 - Studies on Film, Radio and Television

Result continuities

  • Project

  • Continuities

    V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Others

  • Publication year

    2021

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Theatre and Performance Design

  • ISSN

    2332-2551

  • e-ISSN

  • Volume of the periodical

    6

  • Issue of the periodical within the volume

    3

  • Country of publishing house

    GB - UNITED KINGDOM

  • Number of pages

    20

  • Pages from-to

    244-263

  • UT code for WoS article

  • EID of the result in the Scopus database

    2-s2.0-85099502641