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Sarah Kane, Experiential Theatre and the Revenant Avant-Garde

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F10%3A10057703" target="_blank" >RIV/00216208:11210/10:10057703 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Sarah Kane, Experiential Theatre and the Revenant Avant-Garde

  • Original language description

    A critical essay on British playwright Sarah Kane's drama and its avant-garde roots. Kane's early work has been described as experiential; this paper explores the history of experiential theatre tracing its origins to the historical avant-garde and the work of Antonin Artaud. The essay argues that it is this heritage rather than that of the British social problem play that best facilitates an understanding of Kane's work.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

    AL - Art, architecture, cultural heritage

  • OECD FORD branch

Result continuities

  • Project

  • Continuities

    Z - Vyzkumny zamer (s odkazem do CEZ)

Others

  • Publication year

    2010

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    Sarah Kane in Context

  • ISBN

    978-0-7190-7739-5

  • Number of pages of the result

    11

  • Pages from-to

  • Number of pages of the book

    240

  • Publisher name

    Manchester University Press

  • Place of publication

    Manchester

  • UT code for WoS chapter