Seeing the Seeing the Seeing: Understanding the Spectatorship of Forced Entertainment
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F11%3A10110072" target="_blank" >RIV/00216208:11210/11:10110072 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
Seeing the Seeing the Seeing: Understanding the Spectatorship of Forced Entertainment
Original language description
The paper aims to explore the crucial role of the audience in the artistic strategies of Forced Entertainment, a leading contemporary British experimental theatre troupe. The paper attempts to highlight the shift of the role of audience towards the spectator as a witness, raising thus further ethical issues. Furthermore, the company's insistence on the presence, realness and "failure" framed by the tools of postdramatic theory and the umbrella of Live Art create a new reading of the endless interplay between the theatre and its audiences, which is illustrated on two recent performances of Forced Entertainment, Showtime (1996) and Spectacular (2008).
Czech name
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Czech description
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Classification
Type
J<sub>x</sub> - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)
CEP classification
AL - Art, architecture, cultural heritage
OECD FORD branch
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Result continuities
Project
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Continuities
S - Specificky vyzkum na vysokych skolach
Others
Publication year
2011
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Name of the periodical
American and British Studies Annual
ISSN
1803-6058
e-ISSN
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Volume of the periodical
2011
Issue of the periodical within the volume
4
Country of publishing house
CZ - CZECH REPUBLIC
Number of pages
12
Pages from-to
146-158
UT code for WoS article
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EID of the result in the Scopus database
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