The Significance of the Concept of Thauma in Patočka's Philosophy of the History of Art

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F14%3A10291508" target="_blank" >RIV/00216208:11210/14:10291508 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Result language
angličtina
Original language name
The Significance of the Concept of Thauma in Patočka's Philosophy of the History of Art
Original language description
In his essays on general history, Patočka locates the thaumatical shake-up together with the beginning of philosophy, politics, and history in classical Greece, when man first stepped back from being and became able to reflect freely upon everything thatexists (his Lebenswelt). The author seeks to demonstrate that a similar thaumatical shake-up also occurred in art history with the coming of the aesthetic era. Here, art no longer serves to affirm a religious or ideological order, as it had in the preceding artistic era; instead, art turns towards the individual, who, by means of the work of art, reflects upon the world he or she lives in. The author concludes that the art of the artistic era has similarities with the pre-historical age in which thaumawas not yet present, and the art of the aesthetic era shares features with the historical age in which, by contrast, thauma is the central factor. Liberating wonder brought the pre-historical age to an end in ancient Greece with the disc
Czech name
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Czech description
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Type
J<sub>x</sub> - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)
CEP classification
AL - Art, architecture, cultural heritage
OECD FORD branch
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Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2014
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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