Distance and Immersion: Phenomenological Aesthetics and the Question of a 'Paradigm Shift'

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F14%3A10291907" target="_blank" >RIV/00216208:11210/14:10291907 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Distance and Immersion: Phenomenological Aesthetics and the Question of a 'Paradigm Shift'
Original language description
This article is concerned with the question of how two obvious but apparently antithetical features of aesthetic experience - distance and immersion - can be integrated into one theory. The author criticizes the contemporary neglect of the first feature(distance or disinterestedness), and argues for a more dialectical notion of aesthetic experience which would include both of them. To this end, the article starts, in section one, by re-examining the main points in the evolution of phenomenological aesthetics, which some authors consider a chief source of this neglect. The presence of two questions is emphasized: (1) the idea of a distinctive perception which we traditionally call aesthetic and can trace back to Kantian roots and (2) the process of breaking with the subject-object model of experience. In the end of this section, the question is raised whether the successful elimination of the latter means the necessary rejection of the former. In section two, the author argues for a ne
Czech name
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Czech description
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Type
J<sub>x</sub> - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)
CEP classification
AA - Philosophy and religion
OECD FORD branch
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Project
<a href="/en/project/GAP409%2F11%2F0324" target="_blank" >GAP409/11/0324: Problems of Art in Jan Patočka’s Thought</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Publication year
2014
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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