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Then Like Gigli, Now Like Bette: The Grotesque and the Sublime in Mark O'Rowe's Terminus

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F15%3A10321019" target="_blank" >RIV/00216208:11210/15:10321019 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Then Like Gigli, Now Like Bette: The Grotesque and the Sublime in Mark O'Rowe's Terminus

  • Original language description

    The essay examines characteristic aspects of the grotesque in Terminus and argues that O'Rowe's drama presents a disturbing, parodic version of the sublime for the contemporary era.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

    AJ - Literature, mass media, audio-visual activities

  • OECD FORD branch

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2015

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    Irish Theatre in Transition: From the Late Nineteenth to the Early Twenty-First Century

  • ISBN

    978-1-137-45068-5

  • Number of pages of the result

    10

  • Pages from-to

    137-146

  • Number of pages of the book

    265

  • Publisher name

    Palgrave Macmillan

  • Place of publication

    Houndmills

  • UT code for WoS chapter