Postludes: Cinema at the End of the World

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F17%3A10370965" target="_blank" >RIV/00216208:11210/17:10370965 - isvavai.cz</a>
Result on the web
<a href="http://dx.doi.org/10.1080/0969725X.2017.1387378" target="_blank" >http://dx.doi.org/10.1080/0969725X.2017.1387378</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1080/0969725X.2017.1387378" target="_blank" >10.1080/0969725X.2017.1387378</a>

Result language
angličtina
Original language name
Postludes: Cinema at the End of the World
Original language description
An examination of how the Accelerationist imagination has failed in its deviation from Nick Land's radical metaphorics of an Artaudian and Bataille-esque signifying "economy without reserve" to a neo-Sovietised bureaucratic plan for the post-Anthropocene, per Benjamin Noys et al. Given a positivistic guise, futurology of the latter kind almost always masks a return of apocalyptic humanism. The fantasy of a species unified in solidarity, in full view of its techno-evolutionary obsolescence, seeks to magically transform the history of alienation into some transcendental "means" of global post-production: but what this amounts to in fact is the phantasmatic extension of the Situationist spectacle into a "collective" dream of living on beyond a "global" extinction event which, in reality, will have been nothing but that of an ideology.
Czech name
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Czech description
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Type
J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database
CEP classification
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OECD FORD branch
60205 - Literary theory

Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2017
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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