Imagining the Difference: Prefigurations of Poststructuralism in The Prelude

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F18%3A10386690" target="_blank" >RIV/00216208:11210/18:10386690 - isvavai.cz</a>
Result on the web
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=_vMYHI1_r1" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=_vMYHI1_r1</a>
DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Imagining the Difference: Prefigurations of Poststructuralism in The Prelude
Original language description
Using Deleuze's concepts of "involuntary," "rhizomatic" memory, the article demonstrates that in the 1799 text of the poem imagination is an "effect" of immense quantity of differences among impressions, rather than a power synthesizing these differences. Instead of producing a continuity of subjective consciousness, imagination transforms the material of art into a specific "style" based on what Deleuze in Proust and Signs calls "transversals." Later texts of The Prelude are characterized by tendencies to control this open and nonhierarchical concept of imagination by the dominant (individual or absolute, divine) subjectivity.
Czech name
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Czech description
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Project
<a href="/en/project/EF16_019%2F0000734" target="_blank" >EF16_019/0000734: Creativity and Adaptability as Conditions of the Success of Europe in an Interrelated World</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)<br>O - Projekt operacniho programu

Publication year
2018
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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