Ingmar Bergman's Guests at Last Supper in the Time of Nuclear Threats

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F19%3A10395043" target="_blank" >RIV/00216208:11210/19:10395043 - isvavai.cz</a>
Result on the web
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=TeFV_POhIU" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=TeFV_POhIU</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.5817/TY2019-1-6" target="_blank" >10.5817/TY2019-1-6</a>

Result language
angličtina
Original language name
Ingmar Bergman's Guests at Last Supper in the Time of Nuclear Threats
Original language description
This article discusses the film Nattvardsgästerna (1963) - released in the U.S. as Winter Light, and in the U.K. as The Communicants - in the context of the Swedish post-war religious scene and Ingmar Bergman's other productions of the period. The film is read theologically with an assumption that the author carries on a certain religious dialogue, whatever its form may be. With the basis of the film in the title, it asks about the meaning of the Lord's Supper celebration and of the individual 'guests', i.e. the film's main characters: Tomas Ericsson, Märta Lundberg and Jonas Persson. The article applies a comparative perspective to the relevant texts of the Old and (especially) New Testaments and includes pericopes and verses concerning the doubting Thomas, the biblical Martha and the prophet Jonah.
Czech name
—
Czech description
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Type
J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database
CEP classification
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OECD FORD branch
60205 - Literary theory

Project
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Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2019
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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