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Between meaningful image and meaningless decoration : Interpretations of "crazy walls" in popular culture

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F19%3A10397930" target="_blank" >RIV/00216208:11210/19:10397930 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Between meaningful image and meaningless decoration : Interpretations of "crazy walls" in popular culture

  • Original language description

    The art production of the insane was discovered by fine arts which made the motif of the madman and his &quot;crazy walls&quot; (walls covered with writing, drawings, diagrams etc.) known in society as an easily recognizable visual shorthand. While the psychiatrists of the 19th century were gradually understanding the importance of the art of the insane, this interest was not reflected in depictions of the creative madman by William Hogarth and his copyists or by Wilhelm von Kaulbach. As a meaningless decoration, &quot;crazy walls&quot; were adopted by cinema and became a powerful attribute that certifies mental instability. In the 21st century, they are becoming an object of interest of the characters. However, this shift is not a result of a greater understanding of mental illness, but rather a side effect of changes in contemporary cinematic narration (concepts such as &quot;Puzzle films&quot; or &quot;Complex TV&quot;) and of the emergence of the mentally unstable detective. The interpretation of &quot;crazy walls&quot; is now a necessity for a progress in the story. The paper will demonstrate this circular development of the motif of &quot;crazy walls&quot; from a meaningful image to a meaningless decoration and back and examine the contemporary strive for interpretation of &quot;crazy walls&quot; in cinema.

  • Czech name

  • Czech description

Classification

  • Type

    O - Miscellaneous

  • CEP classification

  • OECD FORD branch

    60401 - Arts, Art history

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2019

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů