All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

Screen Industries in East-Central Europe

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F21%3A10436993" target="_blank" >RIV/00216208:11210/21:10436993 - isvavai.cz</a>

  • Result on the web

    <a href="https://www.bloomsburycollections.com/book/screen-industries-in-east-central-europe/" target="_blank" >https://www.bloomsburycollections.com/book/screen-industries-in-east-central-europe/</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.5040/9781839022760" target="_blank" >10.5040/9781839022760</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Screen Industries in East-Central Europe

  • Original language description

    The book explores east-central European media industries (namely those of the Czech Republic, Poland and Hungary) through the lived realities of producers as key initiators, facilitators, and cultural intermediaries. Based on a broad set of in-depth interviews, it looks closely at how their agency is circumscribed by the limited scale and peripheral positioning of the markets in which they operate, and how they struggle to come to terms with these constraints through their business strategies, creative thinking and professional self-perceptions. Each of the seven chapters discusses a specific producer type and area of producer practice: independent producers circumscribed by the smallness and/or peripherality of their home markets; a prominent arthouse producer who managed to overcome the limits of the peripheral market; the &apos;service producers&apos; working on large Western projects in Prague and Budapest, vitally dependent on financial incentives introduced by their national governments; the &apos;minority co-production&apos; that serves national policymakers as a measure of internationalizing local producers and gaining more festival recognition; in-house producers of public service television, whose agency is limited by the broadcast organization; the regional operation of HBO Europe, which uses original local content production as a vehicle of its transnational corporate strategy; and finally, short-form online video production, which is an extremely diverse and volatile field, but promises dynamic growth in the era of mobile, &apos;procrastination&apos; viewing. However diverse, all these cases illustrate how producers in east-central Europe are affected by and act upon the transformative forces of digitalization, globalization and Europeanization.

  • Czech name

  • Czech description

Classification

  • Type

    B - Specialist book

  • CEP classification

  • OECD FORD branch

    60405 - Studies on Film, Radio and Television

Result continuities

  • Project

    Result was created during the realization of more than one project. More information in the Projects tab.

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2021

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • ISBN

    978-1-83902-273-9

  • Number of pages

    304

  • Publisher name

    Bloomsbury

  • Place of publication

    London

  • UT code for WoS book