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Crisis, Critique and Community in Contemporary British Theatre

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F22%3A10451882" target="_blank" >RIV/00216208:11210/22:10451882 - isvavai.cz</a>

  • Result on the web

    <a href="http://dx.doi.org/10.1017/9781108782999" target="_blank" >http://dx.doi.org/10.1017/9781108782999</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1017/9781108782999" target="_blank" >10.1017/9781108782999</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Crisis, Critique and Community in Contemporary British Theatre

  • Original language description

    This chapter contends that since the 1990s, as the outcomes of the neoliberal turn of the previous decade became increasingly palpable, one of the most noticeable aspects of a contemporary &apos;structure of feeling&apos; is an evolving sense of crisis as individual and as communal. The essay explores this sensibility in a sample of six plays: David Hare&apos;s Skylight (1995), Mark Ravenhill&apos;s Some Explicit Polaroids (1999), Tim Crouch&apos;s The Author (2009), David Greig&apos;s The Events (2013), Caryl Churchill&apos;s Escaped Alone (2016) and debbie tucker green&apos;s ear for eye (2018). Despite their formal and thematic diversity, these works present images of crisis that expand from local to global. Skylight and Some Explicit Polaroids gauge the mood at the end of the twentieth century in terms of social alienation and a clash of values. In contrast, The Author and The Events mine the collective itself as a paradoxical site of magnetism and ambivalence. Finally, Escaped Alone and ear for eye, through disruptions of form and language, render systemic crises tangible. Drawing together Lauren Berlant&apos;s notion of &apos;crisis ordinariness&apos; with theatre&apos;s proto-communal predisposition, the essay unpacks how crisis is evident not only thematically, but also in representational strategies that emphasise states of precarity.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    60205 - Literary theory

Result continuities

  • Project

    <a href="/en/project/EF16_019%2F0000734" target="_blank" >EF16_019/0000734: Creativity and Adaptability as Conditions of the Success of Europe in an Interrelated World</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2022

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    Studying English Literature in Context: Critical Readings

  • ISBN

    978-1-108-47928-8

  • Number of pages of the result

    17

  • Pages from-to

    439-455

  • Number of pages of the book

    674

  • Publisher name

    Cambridge University Press

  • Place of publication

    Cambridge

  • UT code for WoS chapter