WANG GUANGQI AND FENG ZIKAI: TWO WAYS OF APPRECIATING EUROPEAN ART MUSIC IN CHINA

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F23%3A10474149" target="_blank" >RIV/00216208:11210/23:10474149 - isvavai.cz</a>
Result on the web
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=cJPU6auHnV" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=cJPU6auHnV</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.24132/ZCU.MUSICA.2023.05.5-30" target="_blank" >10.24132/ZCU.MUSICA.2023.05.5-30</a>

Result language
angličtina
Original language name
WANG GUANGQI AND FENG ZIKAI: TWO WAYS OF APPRECIATING EUROPEAN ART MUSIC IN CHINA
Original language description
This paper focuses on two musical textbooks written by Wang Guangqi 王光祈 (An Outlineof the History of Western Music, 1930) and Feng Zikai 丰子恺 (Introduction to Music, 1926).During the 1930s in China, these publications emerged as the dominant genres of literatureexplaining Western art music: music history and music theory textbooks. The paper examinesthe influence of German comparative musicology on these notable works. By conductinga comparative analysis of these publications in the context of the themes and values ofcomparative musicology, the paper seeks to investigate how these influential texts reflect thestate of Chinese music culture during the transformative period that followed the May FourthMovement. The conclusion will summarize the reception of these two influential textbooksat the time of their publication and evaluate their significance in contemporary China.
Czech name
—
Czech description
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Publication year
2023
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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