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Industrial Authorship and Group Style in Czech Cinema of the 1950s and 1960s

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F23%3A10477621" target="_blank" >RIV/00216208:11210/23:10477621 - isvavai.cz</a>

  • Result on the web

    <a href="https://doi.org/https://doi.org/10.1017/9789048542017.005" target="_blank" >https://doi.org/https://doi.org/10.1017/9789048542017.005</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1017/9789048542017.005" target="_blank" >10.1017/9789048542017.005</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Industrial Authorship and Group Style in Czech Cinema of the 1950s and 1960s

  • Original language description

    Film history has always given priority to individual filmmakers and films, or to sorting them into different genres and movements. In the past thirty years, however, it has expanded its scope to a number of contexts: industrial, socio-cultural, and political conditions of the functioning of cinema as a complex institution. But one aspect remains surprisingly ignored, perhaps because it lies between these two research frameworks, i.e., between the individual creator and the institution: the fact that films are not thought up and made by isolated individuals, nor by nations, nor by companies, but rather by particular groups or networks of coworkers.In the film industry, however, we will find different types of groups and group work. A small team (a producer, screenwriter, director, and sometimes a script editor) can develop a project for several years. Then, a relatively large crew from ten to hundreds of members shoots the film at a rapid pace. In the final postproduction stage, the team is once again smaller, and is concentrated around the director, editor, and producer (including sound designers, special effects creators, and so on). It is possible to work on a small independent film in a more egalitarian, almost familial manner, while global networks of large-scale Hollywood productions are characterized by a strict hierarchy and can include subteams from different continents that never meet in person.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    60405 - Studies on Film, Radio and Television

Result continuities

  • Project

    <a href="/en/project/GA17-13616S" target="_blank" >GA17-13616S: Postsocialist Producer: Collaborative Creative Practice in the Czech Screen Media Production after 1989</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Others

  • Publication year

    2023

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    The Barrandov Studios: A Central European Hollywood

  • ISBN

    978-94-6298-945-0

  • Number of pages of the result

    38

  • Pages from-to

    131-168

  • Number of pages of the book

    366

  • Publisher name

    Amsterdam University Press

  • Place of publication

    Amsterdam

  • UT code for WoS chapter