Context Interrupted: Samuel Beckett in Czech Between 1964-1996 and Jan Nebeský's Endgame (1996)

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F24%3A10483251" target="_blank" >RIV/00216208:11210/24:10483251 - isvavai.cz</a>
Result on the web
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=mmkqehB04a" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=mmkqehB04a</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.31577/sd-2024-0017" target="_blank" >10.31577/sd-2024-0017</a>

Result language
angličtina
Original language name
Context Interrupted: Samuel Beckett in Czech Between 1964-1996 and Jan Nebeský's Endgame (1996)
Original language description
The focus of the study is the 1996 production of Samuel Beckett's Endgame, directed by Jan Nebeský. The study attempts to reconstruct the interrupted context regarding Beckett's reception in the Czech environment. The first part situates Samuel Beckett within the Czech theatre and culture, particularly his Waiting for Godot. The second part looks at productions of the play between 1964 and 1991. The last part presents Jan Nebesky's production and his approach to the text, which he often intersperses with other textual fragments through which he reveals the interpretative layers of text. In Endgame, he explores the theme of salvation.
Czech name
—
Czech description
—

Type
J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database
CEP classification
—
OECD FORD branch
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Project
—
Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year
2024
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Similar results(10)