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Staging an Epic Poem for the Twenty-First Century: Marina Carr's iGirl and the 2021 Abbey Theatre Production

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F25%3A10497773" target="_blank" >RIV/00216208:11210/25:10497773 - isvavai.cz</a>

  • Result on the web

    <a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=_-dE7nqnqb" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=_-dE7nqnqb</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1515/jcde-2025-2021" target="_blank" >10.1515/jcde-2025-2021</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Staging an Epic Poem for the Twenty-First Century: Marina Carr's iGirl and the 2021 Abbey Theatre Production

  • Original language description

    This article discusses the 2021 Abbey Theatre production of Marina Carr&apos;s monologue play iGirl, which premiered during the COVID-19 pandemic. The play brings together fictitious and historical voices - mostly female - who speak through its only character, Girl (Olwen Fouéré). Adopting the epic genre, it offers a bleak vision of humanity&apos;s past and future. Catherine Fay&apos;s costume, Sinéad Wallace&apos;s lighting, Joanna Parker&apos;s set and video design (the latter with Daniel Denton) emphasise Carr&apos;s focus on marginalised voices but also add a layer of the digital. While the livestreaming of iGirl&apos;s only dialogical scene, along with the presence of a secluded desk on stage, evokes the recent lockdown, Fouéré&apos;s otherwise nonmediated rhapsodic performance in the physical space of the theatre serves as a counter experience. Both the pandemic context, with a heightened reliance on technology to facilitate communication, and Carr&apos;s gender politics are implied by the play&apos;s title. While a lower-case &quot;i&quot; followed by an upper-case letter evokes the digital and/or the Internet, the play&apos;s first-person narrative style is emphasised when iGirl is read as &quot;I, Girl.&quot; Attributing several monologues to a contemporary &quot;Girl,&quot; whose voice partly overlaps with that of Carr, this article identifies her as the titular iGirl.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    60205 - Literary theory

Result continuities

  • Project

  • Continuities

    S - Specificky vyzkum na vysokych skolach

Others

  • Publication year

    2025

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Journal for Contemporary Drama in English

  • ISSN

    2195-0156

  • e-ISSN

    2195-0164

  • Volume of the periodical

    13

  • Issue of the periodical within the volume

    1

  • Country of publishing house

    DE - GERMANY

  • Number of pages

    18

  • Pages from-to

    90-107

  • UT code for WoS article

    001478363100015

  • EID of the result in the Scopus database