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Exhibiting the Conflict in the Digital Realm: The Case of the Online Exhibition Frames of Reconstruction

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F25%3A10499927" target="_blank" >RIV/00216208:11210/25:10499927 - isvavai.cz</a>

  • Alternative codes found

    RIV/00216208:11230/25:10499927

  • Result on the web

    <a href="https://doi.org/10.1007/978-3-030-61493-5_138-1" target="_blank" >https://doi.org/10.1007/978-3-030-61493-5_138-1</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1007/978-3-030-61493-5_138-1" target="_blank" >10.1007/978-3-030-61493-5_138-1</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Exhibiting the Conflict in the Digital Realm: The Case of the Online Exhibition Frames of Reconstruction

  • Original language description

    This chapter focuses on the online exhibitions dedicated to preserving and showcasing heritage from conflict contexts and presents them as as a digital repositories rooted in the intersection of academic research and archival institutions&apos; work. Acknowledging the broader context for online exhibition&apos;s momentum in the realm of digital humanities, the chapter reveals various functions of these environments, ranging from tools for disseminating knowledge, fostering media literacy, and engaging with public history. By analyzing the broader landscape, the authors uncover the intricate dynamics between academia, archival efforts, and the globally communicating digital medium, offering insights into the exhibition heritage from conflict-ridden periods. The chapter summarizes the characteristics of key such platforms in the field of film and television heritage and focuses on a specific case study, the online exhibition &quot;Frames of Reconstruction,&quot; which the authors admittedly contributed to.Both the chapter in general, and the case study in particular, exemplify how online exhibitions have become powerful tools to address conflict legacies, offering an interface for curated film heritage that engages with audiences globally and sparks meaningful discourse on the reconstruction process after wartime devastation.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    50802 - Media and socio-cultural communication

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2025

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    The Palgrave Encyclopedia of Cultural Heritage and Conflict

  • ISBN

    978-3-030-61493-5

  • Number of pages of the result

    13

  • Pages from-to

    1-13

  • Number of pages of the book

    1000

  • Publisher name

    Palgrave Macmillan

  • Place of publication

    London

  • UT code for WoS chapter