All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

The Politics of Textiles in the Romanian Contemporary Art Scene

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11230%2F19%3A10389754" target="_blank" >RIV/00216208:11230/19:10389754 - isvavai.cz</a>

  • Result on the web

    <a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=a38jmkNEB3" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=a38jmkNEB3</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1080/14759756.2018.1552390" target="_blank" >10.1080/14759756.2018.1552390</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    The Politics of Textiles in the Romanian Contemporary Art Scene

  • Original language description

    This paper explores the means and ends to which textiles are employed by contemporary Romanian artists in their intermedial practices. The history of textile arts in Romania&apos;s cultural-political sphere has received little academic attention in studies dedicated to recent history. The argument put forth is that tapestry, rugs, and other textiles associated in the past with undervalued housework or folk art-and ranked as a lower form of artistry in the artistic hierarchy-are reinvested with political, critical, and mnemonic meanings. The first section addresses the convoluted relationship between textile arts and Romania&apos;s communist era during Nicolae Ceauşescu&apos;s regime by highlighting the ways in which the authoritarian state supervised and controlled the production of so-called folk textile art to political ends. The next sections elaborate on the artistic production of Geta Brătescu, Ana Lupaş, and Ion Grigorescu, all of whom produced contemporary textile art-often derogatively called &quot;applied art&quot;-whose meanings and purposes eluded the official requirements of national folk art. In the last section the paper scrutinizes the political, critical, and artistic comeback of textile arts as cultural memory since the fall of the communist regime in 1989.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    50701 - Cultural and economic geography

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2019

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Textile: The Journal of Cloth and Culture

  • ISSN

    1475-9756

  • e-ISSN

  • Volume of the periodical

    17

  • Issue of the periodical within the volume

    3

  • Country of publishing house

    US - UNITED STATES

  • Number of pages

    13

  • Pages from-to

    246-258

  • UT code for WoS article

    000479171900003

  • EID of the result in the Scopus database

    2-s2.0-85061318640