BALKAN SESSION - CZECHS PLAYING FOR THE BALKANS

Result code in IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F15%3A10313195" target="_blank" >RIV/00216208:11240/15:10313195 - isvavai.cz</a>

Result on the web

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DOI - Digital Object Identifier

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Result language

angličtina

Original language name

BALKAN SESSION - CZECHS PLAYING FOR THE BALKANS

Original language description

This paper discusses Balkan music, performed in the Czech Republic, especially in Prague. Balkan music is performed by musicians not enculturated in Balkan culture. Their music production can be understood as a social practice initiated by certain stereotypes, viewed as Balkanism (Todorova 2009). In doing so, they display their attitude towards their Slavic neighbours. Using an ethnographic snapshot of a festival evening called Balkan Session, the main objective of this paper is to show the interactionbetween Balkan music as performed in Prague and the Balkans, represented by the migrants from Balkan Peninsula in Prague. The concepts of Balkakism (Todorova 2009), Safe Enterprise (Laušević 2007) and Intimate Distance (Bigenho 2012) are used, in the interpretation

Czech name

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Czech description

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Type

J_x - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)

CEP classification

AC - Archaeology, anthropology, ethnology

OECD FORD branch

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Project

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Continuities

S - Specificky vyzkum na vysokych skolach<br>I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Publication year

2015

Confidentiality

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Name of the periodical

Urban People

ISSN

1212-8112

e-ISSN

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Volume of the periodical

2015/2

Issue of the periodical within the volume

17

Country of publishing house

CZ - CZECH REPUBLIC

Number of pages

18

Pages from-to

355-372

UT code for WoS article

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EID of the result in the Scopus database

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