Theory and Ethnography of Affective Participation at DIY Shows in US
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F18%3A10385426" target="_blank" >RIV/00216208:11240/18:10385426 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
Theory and Ethnography of Affective Participation at DIY Shows in US
Original language description
Many scholars have argued that live concerts constitute a community. My question in this article is how is this achieved, what kind of community is generated in the process, and how do we analytically approach answering these questions? In this regard, Thomas Turino suggests that community can be generated through an active and synchronous physical and music-related participation at live events. As a corrective to his deductive model of participatory and presentational music, I propose an inductive model of sociomusical participation, based on practices of DIY ("do-it-yourself") music communities in the US. In the article, I engage with various theories of audience participation, as well as analyze different types of DIY music participation through the ethnographic study of American DIY shows. The interaction between DIY performers, audiences, and organizers, and the various forms of their social and musical participation at DIY shows suggest not only physical, music-related, and synchronous, but also spectatorial, non-synchronous, and cocreational participation; and not only harmonious but also antagonistic participation. This approach utilizes affect theory, recognizes difference and conflict in the constitution of a music community, and refutes some prevalent assumptions about the notion of audience participation.
Czech name
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Czech description
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Classification
Type
J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database
CEP classification
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OECD FORD branch
50404 - Anthropology, ethnology
Result continuities
Project
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Continuities
S - Specificky vyzkum na vysokych skolach
Others
Publication year
2018
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Name of the periodical
Journal of Popular Music Studies
ISSN
1524-2226
e-ISSN
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Volume of the periodical
30
Issue of the periodical within the volume
1-2
Country of publishing house
DK - DENMARK
Number of pages
29
Pages from-to
79-107
UT code for WoS article
000450075500008
EID of the result in the Scopus database
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