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Theory and Ethnography of Affective Participation at DIY Shows in US

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F18%3A10385426" target="_blank" >RIV/00216208:11240/18:10385426 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Theory and Ethnography of Affective Participation at DIY Shows in US

  • Original language description

    Many scholars have argued that live concerts constitute a community. My question in this article is how is this achieved, what kind of community is generated in the process, and how do we analytically approach answering these questions? In this regard, Thomas Turino suggests that community can be generated through an active and synchronous physical and music-related participation at live events. As a corrective to his deductive model of participatory and presentational music, I propose an inductive model of sociomusical participation, based on practices of DIY (&quot;do-it-yourself&quot;) music communities in the US. In the article, I engage with various theories of audience participation, as well as analyze different types of DIY music participation through the ethnographic study of American DIY shows. The interaction between DIY performers, audiences, and organizers, and the various forms of their social and musical participation at DIY shows suggest not only physical, music-related, and synchronous, but also spectatorial, non-synchronous, and cocreational participation; and not only harmonious but also antagonistic participation. This approach utilizes affect theory, recognizes difference and conflict in the constitution of a music community, and refutes some prevalent assumptions about the notion of audience participation.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    50404 - Anthropology, ethnology

Result continuities

  • Project

  • Continuities

    S - Specificky vyzkum na vysokych skolach

Others

  • Publication year

    2018

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Journal of Popular Music Studies

  • ISSN

    1524-2226

  • e-ISSN

  • Volume of the periodical

    30

  • Issue of the periodical within the volume

    1-2

  • Country of publishing house

    DK - DENMARK

  • Number of pages

    29

  • Pages from-to

    79-107

  • UT code for WoS article

    000450075500008

  • EID of the result in the Scopus database