All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

Non-musician DIY Individuals as 'Pillars' and 'Icons' of American DIY Scenes

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F21%3A10435265" target="_blank" >RIV/00216208:11240/21:10435265 - isvavai.cz</a>

  • Result on the web

    <a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=u7nnOmS3gg" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=u7nnOmS3gg</a>

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Non-musician DIY Individuals as 'Pillars' and 'Icons' of American DIY Scenes

  • Original language description

    There is little written about non-musician individuals in academic literature about music/cultures. For example, as Jesse D. Ruskin and Timothy Rice establish in their 2012 essay &quot;The Individual in Musical Ethnography,&quot; ethnomusicologists in their studies mostly focus on musician, but rarely on non-musician individuals. The situation is similar in other fields, where scholars perhaps focus more on non-musician aspects of music-making (e.g., music industry), but still place very little emphasis on the study of non-musician individuals. In this article, I therefore center on studying non-musician individuals within the U.S. DIY (&quot;do-it-yourself&quot;) culture, and their central role in shaping, defining, and maintaining particular DIY music spaces, and particular local and translocal DIY music scenes. I focus mainly on organizers of DIY shows, often seen by DIY participants themselves as &quot;pillars&quot; of local DIY music scenes, or sometimes as the embodiment, or &quot;icons,&quot; of those scenes (individual as &quot;the [DIY] scene&quot;). This assertion in itself calls for the examination of non-musician DIY individuals both on material and discursive levels: to study them both as agents and &quot;building blocks&quot; of DIY music scenes, and at the same time, as symbolic, and contested personalities that often define the substance and boundaries of these scenes.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    50404 - Anthropology, ethnology

Result continuities

  • Project

  • Continuities

    S - Specificky vyzkum na vysokych skolach

Others

  • Publication year

    2021

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    American Music

  • ISSN

    0734-4392

  • e-ISSN

  • Volume of the periodical

    39

  • Issue of the periodical within the volume

    3

  • Country of publishing house

    US - UNITED STATES

  • Number of pages

    26

  • Pages from-to

    365-390

  • UT code for WoS article

    000723100400004

  • EID of the result in the Scopus database

    2-s2.0-85128596620