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HBO’s the Sleepers: How Spy Genre and Transnational Co-Production Challenged the Memory of Communism in the Czech Republic

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F24%3A10450190" target="_blank" >RIV/00216208:11240/24:10450190 - isvavai.cz</a>

  • Result on the web

    <a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=K-tY6AJxhk" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=K-tY6AJxhk</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1080/2040350X.2022.2086094" target="_blank" >10.1080/2040350X.2022.2086094</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    HBO’s the Sleepers: How Spy Genre and Transnational Co-Production Challenged the Memory of Communism in the Czech Republic

  • Original language description

    This study centers on the problem of transposition of historical reality into the artistic form. Using the example of HBO Europe&apos;s Czech six-part drama Bez vědomí (The Sleepers, 2019), I would like to discuss how the transnational co-production, the effort to attract international audiences, and the selected genre influenced the portrayal of the past. In the context of Czech audiovisual production, the series represents a rather exceptional example. First, it reflects on the period around the Velvet Revolution, which has not been the focus of many Czech films or TV series. It is set in late 1980s Prague, and captures the time of political and societal changes that resulted in the collapse of the communist regime. Secondly, the series uses the spy genre, which is also unique in local production. Drawing from film and TV studies and from memory studies, I will explore the concept of transnational memory in relation to HBO&apos;s original production. In particular, however, I would like to focus on the formative role of the genre and argue that the choice of the genre in itself contributes to challenging the prevailing narratives and already established interpretations of the past.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    50802 - Media and socio-cultural communication

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2024

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Studies in Eastern European Cinema

  • ISSN

    2040-350X

  • e-ISSN

    2040-3518

  • Volume of the periodical

    15

  • Issue of the periodical within the volume

    2

  • Country of publishing house

    GB - UNITED KINGDOM

  • Number of pages

    15

  • Pages from-to

    215-229

  • UT code for WoS article

    000811140400001

  • EID of the result in the Scopus database

    2-s2.0-85131853980