Sounding signs: intentionality and repetition between Peircean and Deleuzian semiotics
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F25%3A10502005" target="_blank" >RIV/00216208:11240/25:10502005 - isvavai.cz</a>
Result on the web
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=Ho2U7Kl1kV" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=Ho2U7Kl1kV</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.12697/SSS.2025.53.1-2.06" target="_blank" >10.12697/SSS.2025.53.1-2.06</a>
Alternative languages
Result language
angličtina
Original language name
Sounding signs: intentionality and repetition between Peircean and Deleuzian semiotics
Original language description
This article examines intentionality and habit formation in musical expe-rience through Deleuzian and Peircean semiotic frameworks. Through analysis of experimental music practices, particularly extreme metal and jazz, we investigate how these philosophical perspectives illuminate contemporary musical phenom-ena. The study begins with an analysis of Deleuze's critique of phenomenological intentionality and his theory of temporal synthesis at the pre-individual level. This framework is then applied to the musical subgenre of thall to demonstrate pro-cesses of differentiation and actualization. The investigation proceeds to Peirce's semeiotic approach to intentionality, focusing on habit formation and the quasi-mind in relation to musical practice. Analysis of jazz improvisation and practice routines demonstrates the explanatory power of Peircean habit acquisition theory for understanding musical skill development. The study concludes by identifying theoretical convergences and divergences between Deleuze and Peirce, particularly regarding teleology and processual becoming. This comparative analysis reveals how both philosophical approaches transcend traditional subject-object dichoto-mies while maintaining distinct positions on teleological aspects of experiential and experimental processes.
Czech name
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Czech description
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Classification
Type
J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database
CEP classification
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OECD FORD branch
60301 - Philosophy, History and Philosophy of science and technology
Result continuities
Project
<a href="/en/project/GA22-17984S" target="_blank" >GA22-17984S: Focal images: Violence and Inhumanism in contemporary art and media culture</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Others
Publication year
2025
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Name of the periodical
Sign Systems Studies
ISSN
1406-4243
e-ISSN
1736-7409
Volume of the periodical
53
Issue of the periodical within the volume
1-2
Country of publishing house
EE - ESTONIA
Number of pages
36
Pages from-to
124-159
UT code for WoS article
001572211500006
EID of the result in the Scopus database
2-s2.0-105018955583