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Movement as the Core of Being: Watching Terrence Malick’s Knight of Cups Through David Bentley Hart’s Theology

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11270%2F25%3A10501403" target="_blank" >RIV/00216208:11270/25:10501403 - isvavai.cz</a>

  • Result on the web

    <a href="http://dx.doi.org/10.4324/9781003248279-21" target="_blank" >http://dx.doi.org/10.4324/9781003248279-21</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.4324/9781003248279-21" target="_blank" >10.4324/9781003248279-21</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Movement as the Core of Being: Watching Terrence Malick’s Knight of Cups Through David Bentley Hart’s Theology

  • Original language description

    Orthodox theologian David Bentley Hart proposed a theology of beauty that places movement and act at the core of existence. Following Gregory of Nyssa, he applies the importance of beauty and desire as the moving power of being. Gregory&apos;s concepts of epektasis and perichoresis are applied to the theology of beauty that combines longing and movement as core features of reality and its perception by rational beings. In a short analysis of the role of epektasis and perichoresis in Knight of Cups (2015) by Terrence Malick the spiritual and theological applications of Hart&apos;s ideas to the film, phenomena are addressed. Knight of Cups is viewed as a setting of the experience of beauty and as a cinematic school of desire. Hart&apos;s ideas allow us to view the film as a space of continuous redefinition of desire and emphasize the vitality of movement for the being itself. Hence, the topics of beauty, desire, wonder, and suffering shape the lenses for theological analysis of Malick&apos;s cinematic work and allow us to see the theology of beauty as an applicable cinematic perspective which not only gives a tool for analysis but also invites viewer participation and co-creation of being in &quot;love, desire, curiosity&quot;.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    60303 - Theology

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2025

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    Exploring Film and Christianity: Movement as Immobility

  • ISBN

    978-1-03-215956-0

  • Number of pages of the result

    14

  • Pages from-to

    226-239

  • Number of pages of the book

    242

  • Publisher name

    Routledge

  • Place of publication

    New York

  • UT code for WoS chapter