The Sense of Movement in the Stanzaic Morte Arthur and the Alliterative Morte Arthure

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F22%3AK3QVFBIX" target="_blank" >RIV/00216208:11320/22:K3QVFBIX - isvavai.cz</a>
Result on the web
<a href="https://www.tandfonline.com/doi/full/10.1080/0013838X.2022.2098664" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/0013838X.2022.2098664</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1080/0013838x.2022.2098664" target="_blank" >10.1080/0013838x.2022.2098664</a>

Result language
angličtina
Original language name
The Sense of Movement in the Stanzaic Morte Arthur and the Alliterative Morte Arthure
Original language description
The AlliterativeMorteArthureand StanzaicMorteArthurnarrateviolent interactions and intense emotions that are predominantlyconveyed by means of kinesis. When a literary work refers tokinesis, i.e., gestures, movements, facial expressions, and physicalinteractions, readers tend to infer the kinaesthetic valence of suchinformation. The term kinaesthesia refers to the sense ofmovement. More systematically than their medieval sources, thetwo Middle English poems emphasize the significance of kinesisand kinaesthesia. This article supports this claim by analysingkinesic tropes of emotions, and action verbs referring to detaileddynamic movements. It also highlights the importance of kinesisin conceptions of identity and faciality, showing that facialgestures are more relevant in the two poems than facial features.
Czech name
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Czech description
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Type
J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database
CEP classification
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OECD FORD branch
10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Publication year
2022
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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