All

What are you looking for?

All
Projects
Results
Organizations

Quick search

  • Projects supported by TA ČR
  • Excellent projects
  • Projects with the highest public support
  • Current projects

Smart search

  • That is how I find a specific +word
  • That is how I leave the -word out of the results
  • “That is how I can find the whole phrase”

Challenges in Basso Continuo Performance-to-Score Alignment

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3A10511577" target="_blank" >RIV/00216208:11320/25:10511577 - isvavai.cz</a>

  • Result on the web

    <a href="https://zenodo.org/records/17502511" target="_blank" >https://zenodo.org/records/17502511</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.5281/zenodo.17502511" target="_blank" >10.5281/zenodo.17502511</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Challenges in Basso Continuo Performance-to-Score Alignment

  • Original language description

    Basso continuo is a Baroque practice of creating harmonic improvisations above a given bass line. In addition to its historical heritage, it is also a living improvisation genre performed by most keyboard players in historically informed performance. However, present-day basso continuo performance has remained understudied empirically, mostly due to lack of data. One key enabler for such research is an automatic system that aligns basso continuo performances to the written bass line in the score. The task of basso continuo alignment, however, presents challenges that are distinct from those of standard performance-to-score alignment tasks, due to the underspecified notation of basso continuo. We analyze the specifics of basso continuo performance-to-score alignment through a dataset of basso continuo performances that we had previously introduced, based on manually annotated performance-to-score alignments of a subset of the pieces. From our analysis, we provide a compilation of challenges specific to

  • Czech name

  • Czech description

Classification

  • Type

    D - Article in proceedings

  • CEP classification

  • OECD FORD branch

    10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Result continuities

  • Project

    <a href="/en/project/EH23_025%2F0008691" target="_blank" >EH23_025/0008691: Human-centred AI for a Sustainable and Adaptive Society</a><br>

  • Continuities

    P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)<br>S - Specificky vyzkum na vysokych skolach

Others

  • Publication year

    2025

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Article name in the collection

    Proceedings of the 17th International Symposium on Computer Music Multidisciplinary Research

  • ISBN

    979-10-97498-06-1

  • ISSN

  • e-ISSN

  • Number of pages

    13

  • Pages from-to

    924-936

  • Publisher name

    The Laboratory PRISM “Perception, Representations, Image, Sound, Music”

  • Place of publication

    Marseille, France

  • Event location

    London, UK

  • Event date

    Nov 3, 2025

  • Type of event by nationality

    WRD - Celosvětová akce

  • UT code for WoS article