Through the transitive nightfall of diamonds: Improvisational experience in psychedelic rock
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3A6QQKZABT" target="_blank" >RIV/00216208:11320/25:6QQKZABT - isvavai.cz</a>
Result on the web
<a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85191835380&partnerID=40&md5=6fd1121b9edeec4df4c7996c1ffd436d" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-85191835380&partnerID=40&md5=6fd1121b9edeec4df4c7996c1ffd436d</a>
DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
Through the transitive nightfall of diamonds: Improvisational experience in psychedelic rock
Original language description
Psychedelic music and the interrelationships between its musical dimension and cultural contexts have received extensive scholarly interest over time. However, there is a gap in the literature regarding the significance of psychedelic rock's improvisational practices. The idea around which this essay revolves is that since psychedelia does not have codified musical traits but defines itself by virtue of listeners' meaning attributions, it should also be interpreted, even in its improvisational forms, as a symbolic form. Consequently, psychedelic improvisation should also be interpreted in a multidimensional manner, as each improvisational practice aspires to create a different topos of psychedelic culture. Three dimensions of psychedelic improvisation have been identified. The first is purely instrumental and concerns the use of modes within improvisations, as different aspects of psychedelic culture are generally associated with each harmonic-melodic solution in the musician-listener dialectic. The second dimension concerns technical improvisation, given the purely empirical rather than theoretical approach of psychedelic musicians. The third dimension is the scenic-performative one, which deals with the extension of music to wider sensory (haptic, visual) realities. Finally, the paper explains why the categories identified cannot be applied to other genres culturally close to psychedelic rock and its present-day revivals. © 2024 Peter Lang Group AG, Lausanne. All rights reserved.
Czech name
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Czech description
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Classification
Type
C - Chapter in a specialist book
CEP classification
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OECD FORD branch
10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)
Result continuities
Project
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Continuities
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Others
Publication year
2024
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Book/collection name
Ubuntu Fusion Music
ISBN
978-3-631-91092-4
Number of pages of the result
20
Pages from-to
73-92
Number of pages of the book
326
Publisher name
Peter Lang AG
Place of publication
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UT code for WoS chapter
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