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The Emergent Properties of the Opera Genre in the Contemporary Musical Context; [As propriedades emergentes do género ópera no contexto musical contemporâneo]

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3ABD2T6KGT" target="_blank" >RIV/00216208:11320/25:BD2T6KGT - isvavai.cz</a>

  • Result on the web

    <a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85207719282&doi=10.5216%2fmh.v24.79940&partnerID=40&md5=98093bd505c4371505facd1bd3464377" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-85207719282&doi=10.5216%2fmh.v24.79940&partnerID=40&md5=98093bd505c4371505facd1bd3464377</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.5216/mh.v24.79940" target="_blank" >10.5216/mh.v24.79940</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    The Emergent Properties of the Opera Genre in the Contemporary Musical Context; [As propriedades emergentes do género ópera no contexto musical contemporâneo]

  • Original language description

    The article’s relevance is influenced by the 20th-21st century composers’ innovative opera approach, experimental theatre principles, and the use of untraditional subjects and plots in academic operas. The purpose of this study is to reveal the emergent properties of the opera genre in the context of the development of contemporary music art. The methodological framework is based on general scientific and special methods, including analysis and synthesis, a historical and systematic approach to the study of the opera genre in a contemporary musical context. The study reveals that the opera genre, encompassing both traditional and new trends, is characterized by a strong emphasis on visual perception, a strong entertainment function, a search for new performance forms, and the synthesis of various musical phenomena. Emergent properties in the opera genre are considered from various scientific perspectives, and various beliefs and statements of leading educators, musicians, and scientists are compared and analyzed. The practical significance of the study lies in developing of the modern direction of opera poetics theory and considering the theory of contemporary opera interpretation as a separate branch of contemporary performing art. This is related to the uniqueness and semantic palette of the opera variety, which helps to identify new emergent properties of the genre in line with contemporary traditions. The study can be useful in preparing lectures on performing arts history, opera theory, culturology, methodological work, and opera studies in higher music education in Ukraine. © 2024 Universidade Federal de Goias. All rights reserved.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database

  • CEP classification

  • OECD FORD branch

    10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Result continuities

  • Project

  • Continuities

Others

  • Publication year

    2024

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Musica Hodie

  • ISSN

    16763939

  • e-ISSN

  • Volume of the periodical

    24

  • Issue of the periodical within the volume

    2024

  • Country of publishing house

    US - UNITED STATES

  • Number of pages

    25

  • Pages from-to

    1-25

  • UT code for WoS article

  • EID of the result in the Scopus database

    2-s2.0-85207719282