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Grief representation in late poetry: Thomas Hardy's ""Poems of 1912-13"" and Ted Hughes's Birthday Letters

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F25%3AFF6WBXDF" target="_blank" >RIV/00216208:11320/25:FF6WBXDF - isvavai.cz</a>

  • Result on the web

    <a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85205209098&doi=10.1007%2f978-3-031-50917-9_25&partnerID=40&md5=eb1e2affd77c23bfffe6858c214b1c40" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-85205209098&doi=10.1007%2f978-3-031-50917-9_25&partnerID=40&md5=eb1e2affd77c23bfffe6858c214b1c40</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1007/978-3-031-50917-9_25" target="_blank" >10.1007/978-3-031-50917-9_25</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Grief representation in late poetry: Thomas Hardy's ""Poems of 1912-13"" and Ted Hughes's Birthday Letters

  • Original language description

    An experience that frequently accompanies the process of growing older is the loss of a loved one, particularly one's life partner. Whereas the (spousal) grief memoir has become a prominent form for expressing the isolating experience of dying in modernity that constitutes a privatized response toward grieving, poetry-as the traditional form of literary elegy-has been less in the focus of contemporary grief analyses. As this chapter illustrates, the connection between late poetry, closure, and the reshaping of elegiac traditions promises insights into this devastating experience, since writers may provide new insights, modes of reflection, imagery, and creative responses to aging and grief. I will compare Thomas Hardy's sequence of ""Poems of 1912-13"" (1914), written in response to the death of his first wife, Emma, with Ted Hughes's last poetry collection, Birthday Letters (1998), in which he revisits the 1963 suicide of his wife, the American poet Sylvia Plath. While both marriages have been conflicted, the poetry can be read, in Hardy's case, as a reshaping of traditional elegy that formulates a logic of grief in a post-Darwinian universe, and, in Hughes's case, as a parahistorical and creative rewriting of death, mourning, and grief in the late twentieth century. © The Author(s), 2024. All rights reserved.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Result continuities

  • Project

  • Continuities

Others

  • Publication year

    2024

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    The Palgrave Handbook of Literature and Aging

  • ISBN

    978-3-031-50917-9

  • Number of pages of the result

    20

  • Pages from-to

    487-506

  • Number of pages of the book

    740

  • Publisher name

    Springer International Publishing

  • Place of publication

  • UT code for WoS chapter