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Uncanny motherhood in contemporary Irish cinema

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F26%3AS27ZJPCA" target="_blank" >RIV/00216208:11320/26:S27ZJPCA - isvavai.cz</a>

  • Result on the web

    <a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-105003320876&doi=10.4324%2F9781003389712-34&partnerID=40&md5=cc5ec6994deaf3e21aee8de259df1664" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-105003320876&doi=10.4324%2F9781003389712-34&partnerID=40&md5=cc5ec6994deaf3e21aee8de259df1664</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.4324/9781003389712-34" target="_blank" >10.4324/9781003389712-34</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Uncanny motherhood in contemporary Irish cinema

  • Original language description

    The figure of the mother has long occupied a powerful symbolic as well as social presence in Irish society, reflecting a post‑colonial legacy of the feminised nation — by both oppressor and revolutionaries — and the centrality of motherhood and the maternal within Irish Catholicism. In recent years there has been a proliferation of images of mothers in Irish cinema. This chapter argues that such representations strike a radically different emphasis than earlier ones and challenge the long‑prevailing ideals of post‑independence national and religious myth. Identifying a category of “uncanny motherhood,” the chapter offers close readings of four contemporary films in which the maternal is haunted by forces and figures of the past. By eschewing social‑realist approaches in favor of more elliptical narrative modes — arthouse and horror — these films present complex and courageous portraits of female subjectivity, while making clear that the experience of (Irish) motherhood has often been far more complex, strenuous, and isolating than the state‑sanctioned ideal has allowed.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

  • OECD FORD branch

    10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Result continuities

  • Project

  • Continuities

Others

  • Publication year

    2025

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    The Routledge Handbook of Motherhood on Screen

  • ISBN

    978-1-032-48572-0

  • Number of pages of the result

    13

  • Pages from-to

    394 - 406

  • Number of pages of the book

    640

  • Publisher name

    Taylor and Francis

  • Place of publication

  • UT code for WoS chapter