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Barsene: A pasticcio for the Bohemian Queen from 1743; BARSENE: EIN PASTICCIO FüR DIE BöHMISCHE KöNIGIN AUS DEM JAHR 1743

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F26%3AVDERZVTN" target="_blank" >RIV/00216208:11320/26:VDERZVTN - isvavai.cz</a>

  • Result on the web

    <a href="https://www.scopus.com/inward/record.uri?eid=2-s2.0-85215277591&doi=10.54759%2FMUSICOLOGY-2024-0301&partnerID=40&md5=b31fa3ead8d3446233e9587ee08c993b" target="_blank" >https://www.scopus.com/inward/record.uri?eid=2-s2.0-85215277591&doi=10.54759%2FMUSICOLOGY-2024-0301&partnerID=40&md5=b31fa3ead8d3446233e9587ee08c993b</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.54759/MUSICOLOGY-2024-0301" target="_blank" >10.54759/MUSICOLOGY-2024-0301</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    Barsene: A pasticcio for the Bohemian Queen from 1743; BARSENE: EIN PASTICCIO FüR DIE BöHMISCHE KöNIGIN AUS DEM JAHR 1743

  • Original language description

    The opera pasticcio Barsene, performed in 1743 on the occasion of the imperial court’s stay in Prague for the coronation of Maria Theresa as Queen of Bohemia, has hitherto remained almost unknown, mentioned only sporadically in contemporary sources. The only certain contemporary reference is a brief note in the diary of the imperial Obersthofmeister Johann Joseph Khevenhüller‑Metsch. The original score of the performance has not survived; only the libretto remains, and only three copies of it are known today. This study surveys the current state of research on Barsene, reconstructs its political and staging context in detail, and offers a dramaturgical analysis based on eighteenth-century operatic conventions. The author identifies the libretto as originally by Domenico Lalli, written for the opera Argene (music by Leonardo Leo), premiered in Naples in 1731. Based on comparative analysis of librettos, surviving musical sources, and archival databases (e.g., RISM), the study proposes a set of possible composers for the individual arias in Barsene. The likely contributors include Leonardo Leo, Giuseppe Antonio Paganelli, Ignazio Maria Conti, Paolo Scalabrini, Gennaro D’Alessandro, Leonardo Vinci and Andrea Bernasconi — with Bernasconi emerging as the most plausible candidate for the pasticcio’s overall composition. The article thus reconstructs Barsene as a historically and musically significant, though largely lost, artifact of 18th-century Bohemian court culture, while clarifying the uncertainties and presumptions involved in its reconstruction.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>SC</sub> - Article in a specialist periodical, which is included in the SCOPUS database

  • CEP classification

  • OECD FORD branch

    10201 - Computer sciences, information science, bioinformathics (hardware development to be 2.2, social aspect to be 5.8)

Result continuities

  • Project

  • Continuities

Others

  • Publication year

    2024

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Hudebni Veda

  • ISSN

    00187003

  • e-ISSN

  • Volume of the periodical

    61

  • Issue of the periodical within the volume

    3

  • Country of publishing house

    US - UNITED STATES

  • Number of pages

    37

  • Pages from-to

    334 - 370

  • UT code for WoS article

  • EID of the result in the Scopus database

    2-s2.0-85215277591