Paní Urbanová by Vilém Mrštík. Theoretical foundations of realism in dramatic practice
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11410%2F25%3A10497123" target="_blank" >RIV/00216208:11410/25:10497123 - isvavai.cz</a>
Result on the web
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=B7hx4ZjIw8" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=B7hx4ZjIw8</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.51305/cl.2025.01.02" target="_blank" >10.51305/cl.2025.01.02</a>
Alternative languages
Result language
čeština
Original language name
Mrštíkova Paní Urbanová. Teoretická východiska realismu v dramatické praxi
Original language description
Vilém Mrštík wrote his dramatic debut Paní Urbanová at a time of polemics over realism in which he participated intensively. Of major significance is his essay O realismu v dramatickém umění (1887) in which he defines the key principles of realistic drama. The article thus considers both Mrštík's texts in complementarity and traces how the theoretical postulates were embodied in an artistic text. The comparison shows that Paní Urbanová diverges from Mrštík's theoretical premises in practically all key aspects to varying degrees. This is particularly apparent in the characters and the heterogeneity of dramatic effects. Despite its failure on the stage, the significance of Paní Urbanová lies precisely in its contribution to contemporary debates on realism in drama. Together with Mrštík's theoretical essays, it represents a unique attempt to introduce new requirements on a dramatic piece into the Czech environment.
Czech name
Mrštíkova Paní Urbanová. Teoretická východiska realismu v dramatické praxi
Czech description
Vilém Mrštík wrote his dramatic debut Paní Urbanová at a time of polemics over realism in which he participated intensively. Of major significance is his essay O realismu v dramatickém umění (1887) in which he defines the key principles of realistic drama. The article thus considers both Mrštík's texts in complementarity and traces how the theoretical postulates were embodied in an artistic text. The comparison shows that Paní Urbanová diverges from Mrštík's theoretical premises in practically all key aspects to varying degrees. This is particularly apparent in the characters and the heterogeneity of dramatic effects. Despite its failure on the stage, the significance of Paní Urbanová lies precisely in its contribution to contemporary debates on realism in drama. Together with Mrštík's theoretical essays, it represents a unique attempt to introduce new requirements on a dramatic piece into the Czech environment.
Classification
Type
J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database
CEP classification
—
OECD FORD branch
60205 - Literary theory
Result continuities
Project
—
Continuities
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Others
Publication year
2025
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Name of the periodical
Česká literatura
ISSN
0009-0468
e-ISSN
2571-094X
Volume of the periodical
73
Issue of the periodical within the volume
1
Country of publishing house
CZ - CZECH REPUBLIC
Number of pages
22
Pages from-to
26-47
UT code for WoS article
001476396400002
EID of the result in the Scopus database
2-s2.0-105006656486