Intermediality and (Inter)media Reflexivity in Contemporary Cinema
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F02%3A00030531" target="_blank" >RIV/00216224:14210/02:00030531 - isvavai.cz</a>
Result on the web
—
DOI - Digital Object Identifier
—
Alternative languages
Result language
čeština
Original language name
Intermediality and (Inter)media Reflexivity in Contemporary Cinema
Original language description
Intermedia reflexivity is a strategy of making structural differences between distinct media visible in hybrid forms of images. Reflexivity features as fundamental for all kinds of intermediality. Intermediality and reflexivity are inevitably bound together. Intermedia reflexivity can operate on both the representational level of image, and the level of diegesis. The first level is typical for experimenters like Godard or Greenaway, the latter for the fantastic cinema that uses digital special effects.Differences and similarities between them could be described against the background of recent theoretical conceptions of intermediality. Theory and history of media interrelations and self-reflexivity encompasses very different approaches, such as formalism, textual analysis, phenomenology, or media archaeology, and it is necessary to make use of different elements from them to describe the distinct features of intermedia reflexivity.
Czech name
Intermediality and (Inter)media Reflexivity in Contemporary Cinema
Czech description
Intermedia reflexivity is a strategy of making structural differences between distinct media visible in hybrid forms of images. Reflexivity features as fundamental for all kinds of intermediality. Intermediality and reflexivity are inevitably bound together. Intermedia reflexivity can operate on both the representational level of image, and the level of diegesis. The first level is typical for experimenters like Godard or Greenaway, the latter for the fantastic cinema that uses digital special effects.Differences and similarities between them could be described against the background of recent theoretical conceptions of intermediality. Theory and history of media interrelations and self-reflexivity encompasses very different approaches, such as formalism, textual analysis, phenomenology, or media archaeology, and it is necessary to make use of different elements from them to describe the distinct features of intermedia reflexivity.
Classification
Type
J<sub>x</sub> - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)
CEP classification
AL - Art, architecture, cultural heritage
OECD FORD branch
—
Result continuities
Project
—
Continuities
N - Vyzkumna aktivita podporovana z neverejnych zdroju
Others
Publication year
2002
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Name of the periodical
Convergence. The Journal of Research into New Media Technology. Special Issue "What Is Intermedia?"
ISSN
1354-8565
e-ISSN
—
Volume of the periodical
8
Issue of the periodical within the volume
č. 4,
Country of publishing house
CZ - CZECH REPUBLIC
Number of pages
8
Pages from-to
—
UT code for WoS article
—
EID of the result in the Scopus database
—