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Intermediality and (Inter)media Reflexivity in Contemporary Cinema

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F02%3A00030531" target="_blank" >RIV/00216224:14210/02:00030531 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    čeština

  • Original language name

    Intermediality and (Inter)media Reflexivity in Contemporary Cinema

  • Original language description

    Intermedia reflexivity is a strategy of making structural differences between distinct media visible in hybrid forms of images. Reflexivity features as fundamental for all kinds of intermediality. Intermediality and reflexivity are inevitably bound together. Intermedia reflexivity can operate on both the representational level of image, and the level of diegesis. The first level is typical for experimenters like Godard or Greenaway, the latter for the fantastic cinema that uses digital special effects.Differences and similarities between them could be described against the background of recent theoretical conceptions of intermediality. Theory and history of media interrelations and self-reflexivity encompasses very different approaches, such as formalism, textual analysis, phenomenology, or media archaeology, and it is necessary to make use of different elements from them to describe the distinct features of intermedia reflexivity.

  • Czech name

    Intermediality and (Inter)media Reflexivity in Contemporary Cinema

  • Czech description

    Intermedia reflexivity is a strategy of making structural differences between distinct media visible in hybrid forms of images. Reflexivity features as fundamental for all kinds of intermediality. Intermediality and reflexivity are inevitably bound together. Intermedia reflexivity can operate on both the representational level of image, and the level of diegesis. The first level is typical for experimenters like Godard or Greenaway, the latter for the fantastic cinema that uses digital special effects.Differences and similarities between them could be described against the background of recent theoretical conceptions of intermediality. Theory and history of media interrelations and self-reflexivity encompasses very different approaches, such as formalism, textual analysis, phenomenology, or media archaeology, and it is necessary to make use of different elements from them to describe the distinct features of intermedia reflexivity.

Classification

  • Type

    J<sub>x</sub> - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)

  • CEP classification

    AL - Art, architecture, cultural heritage

  • OECD FORD branch

Result continuities

  • Project

  • Continuities

    N - Vyzkumna aktivita podporovana z neverejnych zdroju

Others

  • Publication year

    2002

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Convergence. The Journal of Research into New Media Technology. Special Issue "What Is Intermedia?"

  • ISSN

    1354-8565

  • e-ISSN

  • Volume of the periodical

    8

  • Issue of the periodical within the volume

    č. 4,

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    8

  • Pages from-to

  • UT code for WoS article

  • EID of the result in the Scopus database