Semiology in Music and Art: Czech Music Semiology

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F11%3A00055025" target="_blank" >RIV/00216224:14210/11:00055025 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Semiology in Music and Art: Czech Music Semiology
Original language description
With help of music semiology, it?s possible to interpret the syntax of music and the process of structuring a musical work; semiology thus becomes part of music theory. Semiology (at least as a music-oriented pragmatic system) can be an inspiration to music sociology, historiography, ethnomusicology. Not even the emancipatory tendencies of the last few decades have deprived semiology of its links to aesthetics. It is still true that questions of signs and meanings in music is one of the key problems ofmusic aesthetics. Its study offers three possible approaches with, of course, a range of varieties and cross-currents. The most radical approach denies that music carries any sign, or even a communicative status. A second approach, let?s call it ?non-semiotic formalism?, connects the meaning of a work with the way it is structured and modelled at all levels. The third approach acknowledges that music is a sign structure of its own kind and that musical signs have specific meanings.
Czech name
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Czech description
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Publication year
2011
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Book/collection name
Approaches to Music Research: Between Practice and Epistemology
ISBN
978-3-631-59200-7
Number of pages of the result
5
Pages from-to
79-83
Number of pages of the book
249
Publisher name
Peter Lang, Internationaler Verlag der Wissenschaften
Place of publication
Frankfurt am Main
UT code for WoS chapter
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