Clash of Desires: Detective vs. Femme Fatale

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F12%3A00061645" target="_blank" >RIV/00216224:14210/12:00061645 - isvavai.cz</a>
Result on the web
<a href="http://www.theartsjournal.org/images/archive_articles/August2012/3.pdf" target="_blank" >http://www.theartsjournal.org/images/archive_articles/August2012/3.pdf</a>
DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Clash of Desires: Detective vs. Femme Fatale
Original language description
This article discusses the theme of desire presented in American hard-boiled detective fiction and its subsequent transformation on the screen in form of films noir of the 1940?s. The works in focus are novels The Maltese Falcon by Dashiell Hammett, Farewell, My Lovely by Raymond Chandler and Build My Gallows High by Daniel Mainwaring and their film noir adaptations ? The Maltese Falcon (1941), Murder, My Sweet (1944) and Out of the Past (1947). The proposed paper seeks to offer a contrastive analysis of the novels and the films and situate them in their respective social and cultural contexts. The central conflict of this article is presented by the clash between the femme fatale?s and detective?s desires. Hard-boiled novels present femme fatale as adame with a past, a spider woman, and the detective as a hero with no future, caught in her web of intrigues. The only way out for the detective is to suppress the sexual desire for the woman and hold strong to his professional code.
Czech name
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Czech description
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Type
J<sub>x</sub> - Unclassified - Peer-reviewed scientific article (Jimp, Jsc and Jost)
CEP classification
AI - Linguistics
OECD FORD branch
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Publication year
2012
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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