Writing for the Red Screen: Screenwriters in the State-socialist Mode of Production in 1950's and 1960's Czechoslovakia

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00066691" target="_blank" >RIV/00216224:14210/13:00066691 - isvavai.cz</a>
Result on the web
<a href="http://www.senatehouselibrary.ac.uk/2013/12/04/london-screenwriting-research-seminar-writing-for-the-red-screen-senate-house-51213/" target="_blank" >http://www.senatehouselibrary.ac.uk/2013/12/04/london-screenwriting-research-seminar-writing-for-the-red-screen-senate-house-51213/</a>
DOI - Digital Object Identifier
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Result language
angličtina
Original language name
Writing for the Red Screen: Screenwriters in the State-socialist Mode of Production in 1950's and 1960's Czechoslovakia
Original language description
This talk will explore screenwriting practice in the state-socialist regime of former Czechoslovakia from a production-studies perspective, taking as an example the new-wave screenwriter and director Pavel Juráček and his mentor František (Frank) Danielto describe the structural position of screenwriter and institutional conditions for artistic innovation in that production system in the 1950s and 1960s. More generally, it will touch on the social and cultural logics of collaborative creative work under political influence. In terms of sources, it will discuss how empirical historical research in screenwriting can be undertaken by making sense of the vast screenplay collections and personal files in several Prague archives.
Czech name
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Czech description
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Project
<a href="/en/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: History of Barrandov Studios in Terms of Organization and Culture of Film Production</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Publication year
2013
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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