Micropolitics of Screenplay Development: A Political History
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00066694" target="_blank" >RIV/00216224:14210/13:00066694 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
Micropolitics of Screenplay Development: A Political History
Original language description
This paper will explore the inner workings and power dynamics of communities of practice (or "screen idea work groups" -- see Macdonald 2010) involved in story development in the history of Czech cinema. It will focus on the political history of screenplay development practices and formats, especially on so-called "literary screenplay" -- a Soviet type of scenario introduced in the Eastern Europe in the late Stalinist era to attract literary authors to write for screen, to elevate the cultural status ofthe screenplay, and to facilitate pre-censorship. The primary means for the communist ideologues to reform screenwriting was so-called dramaturgy, organized in a complex hierarchy of dramaturgical institutions, with state or central dramaturgy at the top and so-called "units" at the bottom.
Czech name
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Czech description
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Classification
Type
O - Miscellaneous
CEP classification
AL - Art, architecture, cultural heritage
OECD FORD branch
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Result continuities
Project
<a href="/en/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: History of Barrandov Studios in Terms of Organization and Culture of Film Production</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Others
Publication year
2013
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů