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Robot and Kitsch: From the myth of technological progress towards the medium of subversive strategies of posthumanism

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00070931" target="_blank" >RIV/00216224:14210/13:00070931 - isvavai.cz</a>

  • Result on the web

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Robot and Kitsch: From the myth of technological progress towards the medium of subversive strategies of posthumanism

  • Original language description

    The chapter traces evolution of the Robot, motif/drama character coined by Karel Čapek in his play R.U.R. (1920/21), from the central figure of the technological progress myth towards it?s transformation into powerful means of subversive strategies within discourse of post-humanism and information society. The argument starts with explanation of the R.U.R. reception by Czech theatre critiques (Robot as a kitsch), and continues by tracing the way Robot had become part of the myth of the ?machine age? andsubsequently their reputation as sci-fi genre cliché establishment. Finally, the Robotic art importance as a platform of subversive strategies within new media art practices and information society ideologies is stressed.

  • Czech name

  • Czech description

Classification

  • Type

    C - Chapter in a specialist book

  • CEP classification

    AL - Art, architecture, cultural heritage

  • OECD FORD branch

Result continuities

  • Project

  • Continuities

    S - Specificky vyzkum na vysokych skolach

Others

  • Publication year

    2013

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Book/collection name

    Evolution Haute Couture: Art and science in the post-biological age Part 2: Theory

  • ISBN

    9785946200738

  • Number of pages of the result

    16

  • Pages from-to

    172-187

  • Number of pages of the book

    560

  • Publisher name

    National Centre of Contemporary Arts (NCCA) Baltic Branch, Russia

  • Place of publication

    Kaliningrad

  • UT code for WoS chapter