Fakes, Forgeries, and Robots: From the comedy of substitution to the theatre of affect
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00070973" target="_blank" >RIV/00216224:14210/13:00070973 - isvavai.cz</a>
Result on the web
<a href="http://www.cafe-neu-romance.com/press-media/cnr-2013/cnr-2013-lectures-jana-horakova-(cze)" target="_blank" >http://www.cafe-neu-romance.com/press-media/cnr-2013/cnr-2013-lectures-jana-horakova-(cze)</a>
DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
Fakes, Forgeries, and Robots: From the comedy of substitution to the theatre of affect
Original language description
I would like to deal with the blind spot in the spectrum of ROBOTS' interpretations. So far, Robots have been taken as a natural part of our culture. We can meet with them on movie screens, on pages of sci-fi magazines and books, in toyshops and household appliances shops, or in factories, we can see them in rescue operations and space expeditions on TV, etc. However, the original Robots, the drama characters, which were for the first time introduced to the world in the play R. U. R., Rossum's UniversalRobots (1920/21) by Karel Capek, has been escaping serious analyses from the aesthetics point of view. Therefore, I would like to go back to the roots of the Robot's meaning, to introduce the Robot as a special kind of artistic medium. The Robot will beanalysed within the perspective of semiology of theatre, and semiology of fakes and forgeries.
Czech name
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Czech description
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Classification
Type
O - Miscellaneous
CEP classification
AL - Art, architecture, cultural heritage
OECD FORD branch
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Result continuities
Project
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Continuities
S - Specificky vyzkum na vysokych skolach
Others
Publication year
2013
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů