Music in the Mirror of Religion: On the Discourse of Liturgical Music in the 17th Century (from Scherer and Beyerlinck to Hoffman and Beckovský)

Result code in IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F15%3A00085877" target="_blank" >RIV/00216224:14210/15:00085877 - isvavai.cz</a>

Result on the web

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DOI - Digital Object Identifier

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Result language

angličtina

Original language name

Music in the Mirror of Religion: On the Discourse of Liturgical Music in the 17th Century (from Scherer and Beyerlinck to Hoffman and Beckovský)

Original language description

This paper examines the representation of music (esp. church music), its origin and use during the early modern period in the Czech lands within two main literary testimonies. Both focus on the role of music in religion ?as one can see, this has to do not only with ritual and liturgical music, but as well with music or song as a device to lift the soul up to God. As this paper focuses more on musical culture or the role of music in religion than on music theory, sources in the vernacular, more preciselyfor the Czech-speaking population, were primarily analysed.

Czech name

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Czech description

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Type

C - Chapter in a specialist book

CEP classification

AL - Art, architecture, cultural heritage

OECD FORD branch

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Project

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Continuities

S - Specificky vyzkum na vysokych skolach

Publication year

2015

Confidentiality

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Book/collection name

Musikalische und literarische Kontexte des Barocks in Mitteleuropa / in der Slowakei

ISBN

9788089189250

Number of pages of the result

6

Pages from-to

93-98

Number of pages of the book

210

Publisher name

Slavistický ústav Jana Stanislava SAV

Place of publication

Bratislava

UT code for WoS chapter

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