The Reception of Janáček’s Programmatic Orchestral Music

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F16%3A00092432" target="_blank" >RIV/00216224:14210/16:00092432 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Result language
angličtina
Original language name
The Reception of Janáček’s Programmatic Orchestral Music
Original language description
Leoš Janáček is largely viewed as one of the most significant innovators of opera. The fact that his achievements in the field of orchestral, chamber and piano music were (in a context of the ‘long’ nineteenth century) no less innovative remains obscure. Furthermore, all of his instrumental music, except for a few marginal cases, can be regarded as programme music: Janáček was a composer of a fundamentally programmatic and dramatic musical disposition. In my paper I will focus on the critical reception of Janáček’s programmatic compositions, namely symphonic poems by his Czech contemporaries; critiques and other texts from both the press and musicological publications from the period 1877-1928 will be taken into account. Principally, my paper monitors the evaluation of Janáček with respect to the tradition of Czech programmatic music of the «Smetanian line» (B. Smetana, Z. Fibich, J. B. Foerster, and O.
Czech name
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Czech description
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Publication year
2016
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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