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Women as Men, Men as Women : Cross-dressing in Japanese Theatre

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F16%3A00100446" target="_blank" >RIV/00216224:14210/16:00100446 - isvavai.cz</a>

  • Result on the web

    <a href="https://www.kas.upol.cz/uploads/media/Dalny_vychod_c.2_2016_01.pdf" target="_blank" >https://www.kas.upol.cz/uploads/media/Dalny_vychod_c.2_2016_01.pdf</a>

  • DOI - Digital Object Identifier

Alternative languages

  • Result language

    angličtina

  • Original language name

    Women as Men, Men as Women : Cross-dressing in Japanese Theatre

  • Original language description

    Cross-dressing in Japanese theatre is usually associated with the traditional kabuki theatre and its impersonators of female roles, the onnagata or oyama. At some historical period, women were played by men in many western countries. However, in Japan, women were introduced (or reintroduced) to the stage at the turn of the 20th century and the onnagata tradition was firmly rooted to the extent that there was a wide debate about the legitimacy of actresses. However, actresses gradually replaced female impersonators and the tradition became perceived as an element of “traditional theatre”. This still being a new phenomenon, Takarazuka revue was founded and new cross-dressing tradition was born. In this paper, I would like to explore the development of cross-dressing on stage and representation of the opposite or different gender in modern Japanese theatre. I shall describe the development during the Meiji era and then present modern examples of cross-gender actors. In this paper, I shall examine male impersonators of Takarazuka revue and their construction of male gender and subsequently introduce individuals performing as the onnagata in the framework of the modern and contemporary theatre.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>ost</sub> - Miscellaneous article in a specialist periodical

  • CEP classification

  • OECD FORD branch

    60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2016

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Dálný východ

  • ISSN

    1805-1049

  • e-ISSN

  • Volume of the periodical

    6

  • Issue of the periodical within the volume

    2

  • Country of publishing house

    CZ - CZECH REPUBLIC

  • Number of pages

    16

  • Pages from-to

    13-28

  • UT code for WoS article

  • EID of the result in the Scopus database