Listening to Art on a Seabed

Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00099049" target="_blank" >RIV/00216224:14210/17:00099049 - isvavai.cz</a>
Result on the web
<a href="http://hdl.handle.net/11222.digilib/136937" target="_blank" >http://hdl.handle.net/11222.digilib/136937</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.5817/MB2017-1-15" target="_blank" >10.5817/MB2017-1-15</a>

Result language
angličtina
Original language name
Listening to Art on a Seabed
Original language description
The paper addresses Vilém Flusser’s media philosophy, with a focus on his concept of new media art. Since Flusser never wrote a clear definition of new media art, his view must be deduced from remarks spread across his writings. The deduction is based on the assumption that Flusser’s notion of new media art can be set up within the frame of Gaston Bachelard’s water element aesthetics. In the paper, metaphors associated with water and with dreams are used to establish links among such different terms within Flusser’s vocabulary as “sounding images and visible sound” (computed and projected models of collected data), “chamber music” (a metaphor for the endless collective creativity shared within the digital media pool), and “Vampyroteuthis infernalis” (a fantastic creature living in the hostile environment of the oceanic abyss). The aim is to introduce Flusser as an author of an original and visionary aesthetic and of the poetics of new media art.
Czech name
—
Czech description
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Type
J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database
CEP classification
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OECD FORD branch
60401 - Arts, Art history

Publication year
2017
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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