Music, Voice and Signs in Movement
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F18%3A00101614" target="_blank" >RIV/00216224:14210/18:00101614 - isvavai.cz</a>
Result on the web
—
DOI - Digital Object Identifier
—
Alternative languages
Result language
angličtina
Original language name
Music, Voice and Signs in Movement
Original language description
Theories of Prague school on theatre are developed mainly on material of dramatic theatre (the short chapter on opera in Veltruský’s An Approach to the Semiotics of Theatre, 2012, is an exception), and as such opera is still a challenge in the field of theory and performance analysis. In this paper I will provide insight into Kaia Sarriaho’s production Love from afar (2017, directed by Jiří Heřman in Janáček opera, Brno) trying to describe structural features of the opera score and actual production. I will use concepts derived mainly from Honzl (mobility of theatre sign) and Veltruský (relation of man and object, role of sound features in theatre production) and try to see how far these concepts should be transformed to become an analytical tool for interpreting contemporary opera production.
Czech name
—
Czech description
—
Classification
Type
O - Miscellaneous
CEP classification
—
OECD FORD branch
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Result continuities
Project
<a href="/en/project/GA16-20335S" target="_blank" >GA16-20335S: Theatre as a Synthesis of the Arts: Otakar Zich in Context of Modern Science and Contemporary Potential of His Concepts</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Others
Publication year
2018
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů