Perception of direct vs. averted gaze in portrait paintings : An fMRI and eyetracking study
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F18%3A00101677" target="_blank" >RIV/00216224:14210/18:00101677 - isvavai.cz</a>
Alternative codes found
RIV/68081740:_____/18:00496264 RIV/00023001:_____/18:00077410
Result on the web
<a href="https://www.sciencedirect.com/science/article/abs/pii/S027826261730221X?via%3Dihub" target="_blank" >https://www.sciencedirect.com/science/article/abs/pii/S027826261730221X?via%3Dihub</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1016/j.bandc.2018.06.004" target="_blank" >10.1016/j.bandc.2018.06.004</a>
Alternative languages
Result language
angličtina
Original language name
Perception of direct vs. averted gaze in portrait paintings : An fMRI and eyetracking study
Original language description
In this study, we use separate eye-tracking measurements and functional magnetic resonance imaging to investigate the neuronal and behavioral response to painted portraits with direct versus averted gaze. We further explored modulatory effects of several painting characteristics (premodern vs modern period, influence of style and pictorial context). In the fMRI experiment, we show that the direct versus averted gaze elicited increased activation in lingual and inferior occipital and the fusiform face area, as well as in several areas involved in attentional and social cognitive processes, especially the theory of mind: angular gyrus/temporo-parietal junction, inferior frontal gyrus and dorsolateral prefrontal cortex. The additional eye-tracking experiment showed that participants spent more time viewing the portrait’s eyes and mouth when the portrait’s gaze was directed towards the observer. These results suggest that static and, in some cases, highly stylized depictions of human beings in artistic portraits elicit brain activation commensurate with the experience of being observed by a watchful intelligent being. They thus involve observers in implicit inferences of the painted subject’s mental states and emotions. We further confirm the substantial influence of representational medium on brain activity.
Czech name
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Czech description
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Classification
Type
J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database
CEP classification
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OECD FORD branch
50103 - Cognitive sciences
Result continuities
Project
<a href="/en/project/GA15-08577S" target="_blank" >GA15-08577S: Affective response in visual arts: linking art history and neuroscience perspectives</a><br>
Continuities
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Others
Publication year
2018
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Data specific for result type
Name of the periodical
Brain and Cognition
ISSN
0278-2626
e-ISSN
0075-6334
Volume of the periodical
125
Issue of the periodical within the volume
8
Country of publishing house
US - UNITED STATES
Number of pages
12
Pages from-to
88-99
UT code for WoS article
000441704500011
EID of the result in the Scopus database
2-s2.0-85048644267