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The Pragmatic Alliance of DEFA and Barrandov : Cultural Transfer, Popular Cinema and Czechoslovak-East German Co-productions, 1957–85

The result's identifiers

  • Result code in IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F18%3A00102330" target="_blank" >RIV/00216224:14210/18:00102330 - isvavai.cz</a>

  • Result on the web

    <a href="http://dx.doi.org/10.1080/01439685.2017.1285151" target="_blank" >http://dx.doi.org/10.1080/01439685.2017.1285151</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1080/01439685.2017.1285151" target="_blank" >10.1080/01439685.2017.1285151</a>

Alternative languages

  • Result language

    angličtina

  • Original language name

    The Pragmatic Alliance of DEFA and Barrandov : Cultural Transfer, Popular Cinema and Czechoslovak-East German Co-productions, 1957–85

  • Original language description

    This article examines the cooperation that took place between the East German DEFA and Czechoslovakia’s Barrandov film studios, in terms of their coproductions and the recruitment of Czechoslovak talent to work on nominally East German productions. By analysing these ventures from their inception in 1957 onwards, I consider the conditions supervising the transfer of professional skills between the studios, especially during periods of intensive exchange: the mid-1960s and the 1970s. I argue that DEFA utilized Barrandov-contracted talent to facilitate its production of commercially viable light entertainment. In the 1960s, ‘travelling filmmakers’ helped DEFA to launch a series of East German-produced musicals and Indianerfilme. In the 1970s, DEFA functionaries aimed to benefit from the creative input Czechoslovak scriptwriters, directors and producers brought to children’s films. I suggest the two periods in question were shaped by distinct sets of institutional, political and creative circumstances. The recruitment of individual Czechoslovak personnel in the earlier period enabled DEFA to train in-house talent. A decade later, purges enacted by the Czechoslovak Communist Party limited creative possibilities for this country’s film-makers, incentivizing a newfound desire to partner with a studio that Barrandov had previously deemed beneath it.

  • Czech name

  • Czech description

Classification

  • Type

    J<sub>imp</sub> - Article in a specialist periodical, which is included in the Web of Science database

  • CEP classification

  • OECD FORD branch

    60405 - Studies on Film, Radio and Television

Result continuities

  • Project

  • Continuities

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Others

  • Publication year

    2018

  • Confidentiality

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Data specific for result type

  • Name of the periodical

    Historical Journal of Film, Radio and Television

  • ISSN

    0143-9685

  • e-ISSN

  • Volume of the periodical

    38

  • Issue of the periodical within the volume

    1

  • Country of publishing house

    GB - UNITED KINGDOM

  • Number of pages

    14

  • Pages from-to

    133-146

  • UT code for WoS article

    000424194800007

  • EID of the result in the Scopus database

    2-s2.0-85013054771