The Power of Fruit and Flowers : St Dorothy on the Medieval Stage and Beyond
The result's identifiers
Result code in IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F18%3A00103833" target="_blank" >RIV/00216224:14210/18:00103833 - isvavai.cz</a>
Result on the web
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DOI - Digital Object Identifier
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Alternative languages
Result language
angličtina
Original language name
The Power of Fruit and Flowers : St Dorothy on the Medieval Stage and Beyond
Original language description
Legends of female saints constitute a unique literary genre which helped shape the image of an idealized, morally inspiring woman in the imagination of the medieval mind. In the case of St Dorothy, the model of an immaculate female saint entered the realm of direct participation – the medieval vernacular theatre. The starting point of the discussion will be the oldest extant vernacular miracle play about St Dorothy, the German Ludus de Sancta Dorothea written in the 1340s. However, the medieval ideal of spiritual femininity also found its way on the English stage as well, when St Dorothy’s legend was dramatized for the Jacobean theatre (The Virgin Martyr, 1618), and later adapted during the Restoration period (Injured Virtue, 1714). The 17th-century European Continent saw a boom of St Dorothy plays. The paper traces the transformation of St Dorothy’s legend from a religious exemplary instrument into the 'fixed star' of early modern European theatrical entertainment, and argues that the medieval ideal of spiritual femininity, though subsumed into new meanings of its later staging, remained one of the main reasons for the plays’ long popularity.
Czech name
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Czech description
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Classification
Type
O - Miscellaneous
CEP classification
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OECD FORD branch
60206 - Specific literatures
Result continuities
Project
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Continuities
S - Specificky vyzkum na vysokych skolach
Others
Publication year
2018
Confidentiality
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů